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THE FEED / COMPLETE ARCHIVE

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Original artwork, personal stories and things worth keeping. Browse by topic, format or a little curiosity.

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36 papers in chronicles

Episode 27 cover: Henrietta and Chester arriving at Tita Puring's morning-glory-covered gate in Cabanatuan as she waits in the doorway

Episode 27: Tita Puring's House

Henrietta and Chester reach Tita Puring's house in Cabanatuan, where a forty-year-old photograph rewrites who really started the search for the truth.

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Chester Cluck at a kitchen table at night, holding a phone receiver, calamansi peel beside him, jeepney silhouette through the window

Episode 26: The Call to Cabanatuan

Chester finally calls his mother in Cabanatuan. She sends him looking for a name nobody's ever mentioned: Tita Puring.

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Episode 25 cover: a Quezon City apartment door and landing at night, a canvas travel bag by the doorframe, two tiny chicken figures visible through the frosted glass

Episode 25: E, In Person

E finally arrives in person — smaller than her voice suggested. She names the network, hands over one new thread, and asks Chester to call his mother before Sunday.

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Episode 24 cover: a Quezon City apartment building facade at night, laundry lines and lit windows, two tiny chicken figures visible in a second-floor window

Episode 24: What the Grey Ink Said

Chester tells Henrietta what Gregory's letter says — his own mother knew Estrella before any of this began. Then E calls from just outside the building.

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Episode 23 cover: EDSA highway in amber late-afternoon light, jeepneys and traffic stretching toward the overpass, two tiny chicken silhouettes in a car

Episode 23: After Dapitan

Henrietta finally says what she knew in the Dapitan room. Chester has an envelope he hasn't opened yet. EDSA does not care.

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Episode 22 cover: Chester at the base of an iron staircase outside the Resurreccion Bindery on Dapitan, Quezon City — green mail slot on the door, pharmacy next door, jeepney passing in the street

Episode 22: The Bookbinder's Second Floor

Chester and Henrietta go to Dapitan. The bookbinder's second floor has a folder, a name, and an envelope addressed to Chester in Gregory's grey ink.

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Episode 21 cover: Manila apartment building exterior at dawn, one lit window on the third floor, tiny chicken silhouette visible inside, sari-sari store below, jeepney on the street

Chicken Chronicles Episode 21: The Number Rings Through

Three days. One call. E answers. And the window that was never open? Was already open when she reached the car.

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A Petron gas station forecourt in San Fabian, Pangasinan at golden hour, with two tiny white chicken figures near the pump and car, in CHKN flat vector style

Chicken Chronicles Episode 20: The Second Page

Chester waits while Henrietta reads Gregory's letter. Then he shows her the receipt. The +63 77 number is written in pencil on the back.

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A roadside carinderia under a blue tarp awning on a Philippine provincial highway, two tiny chicken figures at a table with an envelope face-down between them, a jeepney visible on the road beyond

Episode 19: Grey Ink

Henrietta opens the envelope at a roadside carinderia. The letter inside is not addressed to her — it is addressed to the grey-ink hand. And the grey-ink hand already knew Henrietta's name.

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A straight Ilocos provincial highway cutting through tobacco fields at late afternoon, a single car barely visible far ahead on the road heading south

Episode 18: The Other Hand

Chester turns the envelope over. He reads the name on the back. He doesn't say it out loud. The drive south begins.

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Episode 17 cover: a Philippine sala with three chairs at a table and an elderly woman in an armchair by the capiz window

Episode 17: Three Chairs, Two Settings

Henrietta counts the chairs at the table. Three chairs. Two place settings. She files this. She will come back to it. The woman in the armchair has been waiting since 2004 — and she is not the only one who has had a key.

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Episode 16 cover: Chester pushes open the gate of a bahay na bato in Ilocos Sur, a fresh sampaguita wreath hanging on the wooden gate, frangipani trees in the garden beyond

Episode 16: What Chester Knew at the Frangipani Tree

Chester tells Henrietta whose voice answered the +63 77 call — a woman named Mayen, and a photograph he saw in Baguio and chose not to mention. They drive south through Ilocos tobacco country toward the address in Estrella's letter. At the gate: a fresh sampaguita wreath.

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Episode 15 cover: Aling Norma in her sala, holding a coffee cup, two small chicken figures seated across from her with backs to camera

Episode 15: What the Pension Keeper Knew

The note was already in Room 12 before Gregory arrived. Aling Norma kept it for twenty-two years. Someone had been watching this arc from the beginning.

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Episode 14 cover: Calle Crisologo cobblestone street at night, heritage houses looming dark on both sides, a single orange street lamp, Chester a tiny figure walking toward a lit window at the far end

Episode 14: Calle Crisologo

Gregory's last letter said: I'm leaving something at the pension in case this is my last stop. The pension owner opened the door without asking their names. And on Room 12, taped in the dark, was a note in Chester's handwriting that Chester had never written.

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Episode 14 cover: Chester Cluck on a narrow colonial cobblestone street in Vigan at 2AM, standing before a heritage pension door under a single amber lamp

Episode 14: The Note on the Door

Chester and Henrietta arrive in Vigan at 2AM. The pension owner was expecting them. On the inside of the door: a note from Gregory, dated 2004.

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Episode 13 cover: Henrietta driving north on the NLEX, Chester in the passenger seat holding the cassette tape

Episode 13: The Tape Keeps Running

The tape runs for four minutes and forty-two seconds. Nobody speaks. Then Estrella says: go to Vigan. Henrietta is already looking at the north exit.

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Episode 12 cover: Chester Cluck in the passenger seat of a car on the NLEX, holding a cassette tape, rice fields visible through the window

Episode 12: What Peping Knows

Chester and Henrietta drive to Bulacan with a cassette tape, a brass key, and an Ilocano letter. Peping the tricycle driver knows something about G. Añonuevo. He won't say it over the phone.

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Chester and Henrietta staring down at a mysterious brown package on their doorstep in Tondo Manila

The Package That Wasn't Mine

A package arrives at Chester's address. It isn't addressed to Chester. The handwriting is familiar. And Peping the tricycle driver has gone very quiet.

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Chester Cluck and Henrietta step off the bus into the cool mountain air of Baguio at night

The Bell Tower at Dawn

Chester and Henrietta climb the mountain to Baguio. At dawn, the bells ring. The old woman is waiting — and the treasure is not what Chester expected.

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Chester Cluck and Henrietta packed into an old Manila jeepney on the way to Quiapo

The Manila Detour

Chester lost the treasure map on a jeepney. Henrietta flagged down a tricycle driver named Peping. What happened next is pure Manila.

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Chester and Henrietta in Divisoria market, Chester holding a crumpled treasure map with excited expression while Henrietta looks skeptical

The Map That Shouldn't Exist

Chester finds what he's convinced is a treasure map. Henrietta knows better. Neither is entirely right. A chaotic treasure hunt across Manila ensues.

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The Great Chicken Commerce Incident - Chicken Chronicles Episode 6

Chester launches Chickenpie Express delivery service with ambitious dreams and chaotic results. Henrietta saves the day—again. A heartwarming tale of friendship, commerce, and learning from your mistakes.

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Chester Cluck wearing a makeshift takeout-lid visor and holding a broom-handle golf club, standing on grass with bottle caps scattered around, determined expression on his face

Chester's Social Media Swing

Chester discovers golf influencer culture and decides to become the coop's first social media golf star. Chaos, banned country clubs, and viral fame ensue. Episode 6 of Chicken Chronicles.

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Chester Cluck, Henrietta, and Rodrigo the rooster standing together at the practice area

The Rooster from Manila

A mysterious stranger from Manila challenges everything Chester and Henrietta believe about flying. Rodrigo brings city skepticism and bruised hope to the coop.

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