Skip to content
CHICKENPIE.Start a project →
Chicken ChroniclesEP. 18

Episode 18: The Other Hand

Chester turns the envelope over. He reads the name on the back. He doesn't say it out loud. The drive south begins.

Read the episode ↓
Chester sits at the dining table in Estrella's bahay na bato sala, a sealed worn envelope in front of him, amber capiz light falling across the floorboards
AN ILLUSTRATED CHRONICLE
THE STORY CONTINUES
At a glance
CategoryChicken Chronicles
PublishedJul 03, 2026
Read time5 min
Covered here
  • Chickens
  • Culture

Previously on the Chicken Chronicles... In a high-ceilinged sala in Ilocos Sur, Chester and Henrietta sat with Estrella and her granddaughter Mayen. Estrella told them about the 2012 visitors — a man and a woman who brought bougainvillea and a different key, the same shape as Chester's — who left with Gregory's third letter, the one that contained one name Gregory had placed there for safekeeping. Then Estrella reached into the folds of her shawl and produced the fourth sealed envelope: addressed Para sa tamang taong darating. Chester's name was not on it. Neither was Henrietta's. Henrietta stayed standing.

The Other Hand

He turned it over under the table.

The handwriting was angular. Grey ink — lighter than the inscription on the Baguio photograph but the same slant, the same particular way the letters leaned into each other like they were keeping a secret from the word before. One word.

Henrietta.

Chester turned the envelope face-up again and set it on the table. His face did not change. He had been preparing it not to change from the moment his thumb found the edge.

Henrietta was still standing in the dining room doorway. She had been standing in that position for four minutes — Chester had counted the clock. She stood when she needed to think, and she had a great deal to think about.

"Lola," Mayen said quietly from the kitchen. "Do you want me to—"

"Stay," Estrella said.

A worn sealed envelope being tucked into an inside jacket pocket, the fabric and pocket stitching catching amber capiz window light

Chester asked the question he had been working toward since he sat down.

"Did Gregory tell you what the fourth letter contains?"

Estrella looked at her hands. "He told me it was the last instruction. He said the right person would need it when they needed it — not before. He said: do not let them open it in this house." She looked up. "He said that very specifically. He said the house is for receiving. The letter is for reading later."

"He planned for them not to be ready yet," Henrietta said, from the doorway.

"Yes."

"He knew they would come here before they were ready."

Estrella almost smiled. "Gregory knew many things before people knew them themselves."

Chester looked at the envelope on the table. He was reading the front — the familiar rightward slant of Para sa tamang taong darating — and trying not to look at where his thumb had been.

Gregory had put things in order like a man who could see the shape of a story before the characters inside it could. Everything timed. Everything addressed to the next set of hands.

He had written on the front of the envelope for everyone who would ever handle it before the right moment — not yet, not yet, keep going. And then he had written on the back for the right person specifically.

One word. A name. In grey ink, angular cursive — the same hand that had written I have been waiting on the interior of the note in Room 12.

Chester looked at Henrietta.

She was watching Estrella. She had her head tilted slightly — the way she tilted it when she was counting something that wasn't numbers.

Two chicken figures side by side through a car windshield on a straight Ilocos provincial road, tobacco fields on either side, late afternoon sky ahead

He picked up the envelope.

He held it for a moment. Then he slid it into the inside pocket of his jacket. The one close to his ribs.

Mayen's eyes tracked the motion from the kitchen doorway. She said nothing.

Estrella said: "He always said the letter would know where to go."

Chester stood. He thanked Estrella. He told Mayen she could keep his number. He picked up his coffee cup and set it in the kitchen, because it seemed like the kind of house where you did that.

Henrietta was watching him from the doorway when he came back through. She let him pass.

They said their goodbyes — Estrella stayed in her armchair, Mayen walked them to the gate. The same gate Chester had pushed open two hours earlier under the sampaguita wreath that had nothing to do with Gregory. The afternoon had turned everything golden and flat, the way Ilocos does in July.

The car was hot from sitting in the sun. Chester got in on the driver's side without asking — they had been trading off all trip, and this felt like his turn.

He started the engine.

Henrietta's door closed. She put on her seatbelt. Chester backed out of the barangay road, the stone walls sliding past on either side.

"You put something in your pocket," she said.

"Yes."

"The envelope."

"Yes."

She looked straight ahead at the narrow road, the afternoon light flat and white ahead of them. A dog on top of a stone wall watched them leave with the philosophical patience of a dog who had seen many things come and go.

"You read the back," she said.

Chester found the national highway and signaled south.

"When are you going to tell me," she said.

The tobacco fields opened on either side — green and enormous and absolutely indifferent. He put his foot down.

"When you're ready," he said.

Next week on the Chicken Chronicles: Henrietta reads the back of the envelope. Chester watches the road.

← PREVIOUS EPISODEEpisode 17: Three Chairs, Two SettingsNEXT EPISODE →Episode 19: Grey Ink
All episodes 35
  1. The Great Egg Heist: A Henrietta Adventure
  2. Chester's Great Leap
  3. The Student
  4. The Day Chester Cluck Lost His Voice
  5. The First Lesson
  6. The Manila Delegation
  7. The Manila Visitor
  8. The First Lesson
  9. The Crabbie Invasion
  10. The Rooster from Manila
  11. The Algorithmic Swing
  12. Chester's Social Media Swing
  13. The Map That Shouldn't Exist
  14. The Manila Detour
  15. The Bell Tower at Dawn
  16. The Package That Wasn't Mine
  17. Episode 12: What Peping Knows
  18. Episode 13: The Tape Keeps Running
  19. Episode 14: The Note on the Door
  20. Episode 14: Calle Crisologo
  21. Episode 15: What the Pension Keeper Knew
  22. Episode 16: What Chester Knew at the Frangipani Tree
  23. Episode 17: Three Chairs, Two Settings
  24. Episode 18: The Other Hand
  25. Episode 19: Grey Ink
  26. Chicken Chronicles Episode 20: The Second Page
  27. Chicken Chronicles Episode 21: The Number Rings Through
  28. Episode 22: The Bookbinder's Second Floor
  29. Episode 23: After Dapitan
  30. Episode 24: What the Grey Ink Said
  31. Episode 25: E, In Person
  32. Episode 26: The Call to Cabanatuan
  33. Episode 27: Tita Puring's House
  34. The Ballad of Stubie Cluck: Golf's Most Cursed Putter
  35. Chester Cluck's Midnight Craving Crisis
Share
MORE FROM THIS LITTLE DESK

A little worth keeping.

Stories, experiments, and things I find along the way. Occasionally, in your inbox.

Get the letter ↗
/feed/chronicles-ep-18-the-other-hand

Have a project in mind?

Tell us what you are making and what you need. An unfinished idea is welcome too.

Start a project →

Another paper for you.

Episode 27 cover: Henrietta and Chester arriving at Tita Puring's morning-glory-covered gate in Cabanatuan as she waits in the doorway

Episode 27: Tita Puring's House

Henrietta and Chester reach Tita Puring's house in Cabanatuan, where a forty-year-old photograph rewrites who really started the search for the truth.

Open paper
Chester Cluck at a kitchen table at night, holding a phone receiver, calamansi peel beside him, jeepney silhouette through the window

Episode 26: The Call to Cabanatuan

Chester finally calls his mother in Cabanatuan. She sends him looking for a name nobody's ever mentioned: Tita Puring.

Open paper
Episode 25 cover: a Quezon City apartment door and landing at night, a canvas travel bag by the doorframe, two tiny chicken figures visible through the frosted glass

Episode 25: E, In Person

E finally arrives in person — smaller than her voice suggested. She names the network, hands over one new thread, and asks Chester to call his mother before Sunday.

Open paper
Episode 24 cover: a Quezon City apartment building facade at night, laundry lines and lit windows, two tiny chicken figures visible in a second-floor window

Episode 24: What the Grey Ink Said

Chester tells Henrietta what Gregory's letter says — his own mother knew Estrella before any of this began. Then E calls from just outside the building.

Open paper
Episode 23 cover: EDSA highway in amber late-afternoon light, jeepneys and traffic stretching toward the overpass, two tiny chicken silhouettes in a car

Episode 23: After Dapitan

Henrietta finally says what she knew in the Dapitan room. Chester has an envelope he hasn't opened yet. EDSA does not care.

Open paper
Episode 22 cover: Chester at the base of an iron staircase outside the Resurreccion Bindery on Dapitan, Quezon City — green mail slot on the door, pharmacy next door, jeepney passing in the street

Episode 22: The Bookbinder's Second Floor

Chester and Henrietta go to Dapitan. The bookbinder's second floor has a folder, a name, and an envelope addressed to Chester in Gregory's grey ink.

Open paper

You might also like