Skip to content
CHICKENPIE.Let’s make something
Chicken ChroniclesEP. 23

Episode 23: After Dapitan

Henrietta finally says what she knew in the Dapitan room. Chester has an envelope he hasn't opened yet. EDSA does not care.

Read the episode ↓
A Quezon City intersection at a red light: Chester and Henrietta's car at the stop line, the envelope visible on the seat, surrounded by a vivid QC streetscape
AN ILLUSTRATED CHRONICLE
THE STORY CONTINUES

Previously on the Chicken Chronicles... Thursday. They had gone to the bookbinder on Dapitan — external iron staircase, gate two centimetres ajar, green mail slot exactly where E had said it would be. E did not come in person. She sent a contact instead: a woman in her mid-thirties, short hair, who placed a folder on the table without ceremony. Three documents: a company name and Manila registration, a 2012 transaction record, a photograph of two unrecognized people outside Room 12. Chester read the company name aloud before he had made a decision to. Henrietta went still. She did not say it in the room. Before they left, the contact set a second envelope on the table — Chester's name on the front, grey ink, angular cursive, the same hand as the name on the back of the fourth letter. Not for Henrietta. For you. The door closed. The envelope was still in Chester's hand.

After Dapitan

Chester had found easy parking. He had said, getting out of the car: This is going to be fine. He'd been wrong about the parking being a good sign.

The drive back was slow — EDSA slow, the kind of slow where you count the same overpass three times because the lanes aren't moving. Henrietta was not counting overpasses. She was watching Chester's left hand, which was resting on the gearshift, and the grey envelope on his lap, which had not moved since Dapitan.

He had not opened it. She had not asked him to.

The radio was on. Neither of them was listening to it.

Through a car window: two white chicken figures in the front seats, Manila street traffic and power lines reflected in the glass

"The name," Henrietta said.

The traffic ahead moved two car-lengths. Chester moved with it.

"I heard you. I'm not asking yet."

She waited. The radio played something she didn't recognize — a jingle, then the news, then a jingle again.

"I need you to ask me," she said. "I've been waiting since the room and I need you to ask me."

Chester looked at her. Then at the road. Then back at her for a second.

"Why did you go still?"

She had been holding the answer since the building. Since the name had come out of Chester's mouth and arrived in the room like something that had been traveling a long distance to get there.

"I know who they are," she said. "Not the company — the people inside it. Three, maybe four years ago, I was working on something else entirely. A property dispute in Pampanga. I was just looking at a chain of transfers — nothing remarkable, at the time." She paused. "Their name was on two of the transfers. As a trustee, not as a principal. The kind of presence you notice and then set aside because it doesn't belong to your case."

Chester said nothing.

"I set it aside," she said. "I finished the Pampanga work and moved on. But you don't forget a name that shows up as a trustee on transfers where the principal keeps changing. It's the kind of name that stays in the back of a drawer."

"A trustee," Chester said.

"That's what the documents said. Technically correct. Formally defensible." She looked at the overpass coming up. "The kind of structure you build when you want presence without accountability."

The lane shifted. Chester shifted with it.

"The person in the 2012 photograph," she said. "The one on the left, outside Room 12. I've seen that face before. I can't place where. It's there — just not there yet."

Chester's hand was still on the gearshift. The envelope had not moved.

"Why didn't you say it in the room?" he asked.

"Because E was watching." She turned toward him. "E predicted that you would read the name aloud. She planned for it — she needed to see what we did next. If I had named the people I knew, in that room, she would have learned the shape of what I know. I'd rather she didn't know that yet."

The car behind them honked once — two lanes had opened up and they were slow to it. Chester moved.

"Fair," he said.

"I'll tell E everything I know when she comes herself," Henrietta said. "Not before."

Sketch: an envelope resting on a figure's lap in a car stopped at a red light, the traffic light's red glow visible through the windshield

The EDSA merge took eleven minutes. Henrietta counted something else instead — the number of times the radio cycled back to the same melody in the background, which turned out to be four. The traffic opened slightly past the Buendia flyover and Chester accelerated for the first time since they'd left Dapitan.

His hand moved from the gearshift.

He picked up the envelope.

Henrietta watched him turn it over. The grey ink on the front — Chester's name, the same angular cursive as the name on the back of the fourth letter. She had looked at it in the room and thought: E writes like someone who learned to make every character count because she was not always sure she'd be given paper.

Chester slid a finger under the flap.

She looked at the road.

She did not look at him while he read it. She heard him unfold the page — once, just once, so it was short. She heard him refold it. She heard him set it on his lap and leave his hand on top of it.

The light ahead turned red. Chester stopped.

She counted to seven.

"Tell me when you're ready," she said.

The light turned green.

Chester drove.

Next week on the Chicken Chronicles: E comes herself.

← PREVIOUS EPISODEEpisode 22: The Bookbinder's Second FloorNEXT EPISODE →Episode 24: What the Grey Ink Said
All episodes 35
  1. The Great Egg Heist: A Henrietta Adventure
  2. Chester's Great Leap
  3. The Student
  4. The Day Chester Cluck Lost His Voice
  5. The First Lesson
  6. The Manila Delegation
  7. The Manila Visitor
  8. The First Lesson
  9. The Crabbie Invasion
  10. The Rooster from Manila
  11. The Algorithmic Swing
  12. Chester's Social Media Swing
  13. The Map That Shouldn't Exist
  14. The Manila Detour
  15. The Bell Tower at Dawn
  16. The Package That Wasn't Mine
  17. Episode 12: What Peping Knows
  18. Episode 13: The Tape Keeps Running
  19. Episode 14: The Note on the Door
  20. Episode 14: Calle Crisologo
  21. Episode 15: What the Pension Keeper Knew
  22. Episode 16: What Chester Knew at the Frangipani Tree
  23. Episode 17: Three Chairs, Two Settings
  24. Episode 18: The Other Hand
  25. Episode 19: Grey Ink
  26. Chicken Chronicles Episode 20: The Second Page
  27. Chicken Chronicles Episode 21: The Number Rings Through
  28. Episode 22: The Bookbinder's Second Floor
  29. Episode 23: After Dapitan
  30. Episode 24: What the Grey Ink Said
  31. Episode 25: E, In Person
  32. Episode 26: The Call to Cabanatuan
  33. Episode 27: Tita Puring's House
  34. The Ballad of Stubie Cluck: Golf's Most Cursed Putter
  35. Chester Cluck's Midnight Craving Crisis
Share
MORE FROM THIS LITTLE DESK

A little worth keeping.

Stories, experiments, and things I find along the way. Occasionally, in your inbox.

Get the letter ↗

Another paper for you.

Episode 27 cover: Henrietta and Chester arriving at Tita Puring's morning-glory-covered gate in Cabanatuan as she waits in the doorway

Episode 27: Tita Puring's House

Henrietta and Chester reach Tita Puring's house in Cabanatuan, where a forty-year-old photograph rewrites who really started the search for the truth.

Open paper
Chester Cluck at a kitchen table at night, holding a phone receiver, calamansi peel beside him, jeepney silhouette through the window

Episode 26: The Call to Cabanatuan

Chester finally calls his mother in Cabanatuan. She sends him looking for a name nobody's ever mentioned: Tita Puring.

Open paper
Episode 25 cover: a Quezon City apartment door and landing at night, a canvas travel bag by the doorframe, two tiny chicken figures visible through the frosted glass

Episode 25: E, In Person

E finally arrives in person — smaller than her voice suggested. She names the network, hands over one new thread, and asks Chester to call his mother before Sunday.

Open paper
Episode 24 cover: a Quezon City apartment building facade at night, laundry lines and lit windows, two tiny chicken figures visible in a second-floor window

Episode 24: What the Grey Ink Said

Chester tells Henrietta what Gregory's letter says — his own mother knew Estrella before any of this began. Then E calls from just outside the building.

Open paper
Episode 22 cover: Chester at the base of an iron staircase outside the Resurreccion Bindery on Dapitan, Quezon City — green mail slot on the door, pharmacy next door, jeepney passing in the street

Episode 22: The Bookbinder's Second Floor

Chester and Henrietta go to Dapitan. The bookbinder's second floor has a folder, a name, and an envelope addressed to Chester in Gregory's grey ink.

Open paper
Episode 21 cover: Manila apartment building exterior at dawn, one lit window on the third floor, tiny chicken silhouette visible inside, sari-sari store below, jeepney on the street

Chicken Chronicles Episode 21: The Number Rings Through

Three days. One call. E answers. And the window that was never open? Was already open when she reached the car.

Open paper

You might also like

BISCUIT / STUDIO GUIDE

BISCUIT

hey, i’m biscuit. chicken in a lobster suit, studio guide on duty. ask me about graphics, websites, AI work, or what my human is making.

AI studio guide. Chats are saved for follow-up. Talk to the human ↗